the rolling stones greatest hits

Greatest Hits 1962-2012 (5-LP Boxset + 36 Page Booklet) by The Rolling Stones - Vinyl LP (2012) for $145.95 from OLDIES.com Pop / Rock Rolling Stone : 4.5 stars out of 5 -- '[T]he best and most comprehensive collection of the band's high points available.' $12.97. As is the case with most Stones songs of that era, Jones was the special sauce (in this case, he played the recorder). Listen free to The Rolling Stones – The Rolling Stones Greatest Hits ((I Can't Get No) Satisfaction, Brown Sugar and more). The other great song from the Stones’ middling foray into psychedelia, “She’s a Rainbow” benefits greatly from a lovely string arrangement by Led Zeppelin bassist John Paul Jones. https://www.billboard.com/music/the-rolling-stones/chart-history/HSI/2 The title provoked charges of Satanism, and Jagger’s first-person performance as Mephistopheles encouraged these surface readings, but it’s pure mischief. This is a straightforward, rough-and-ragged rocker bolstered by horns that seem to come out of nowhere. A great song doesn’t attempt to be anything — it just is. Jagger mostly collaborated with Leon Russell on the writing (and his influence is massively apparent), but the credit is still split with Richards. The band didn’t release it as a … When those cymbals crash and Jagger slides in with vocals and harmonica… it’s heavenly. It’s how a basketball player must feel when he starts hitting every shot, when you’re in that zone. As soon as you start, you get that magic feeling, an extra feeling. Tops Lyrics: 5. Grrr! There are some superb covers out there from Otis Redding, The Residents and, the best of all, Devo, but there’s no topping the original. It’s pretty standard balladry, but there are some uncommon flourishes (particularly that ghost vocal track) that set it apart. The Stones ‘ greatest Motown-style rave-up is about turning down an ex-lover (or “poor discarded baby”) who wants to get back together. Brian Jones’s sitar opening is every bit as iconic as anything George Harrison did with the instrument. alltime, Aretha Franklin, Beastie Boys, Beck, Bruce Springsteen, Green Day, Jimi Hendrix, John Lennon, Paul McCartney, Radiohead, Rihanna, The Beatles, The Rolling Stones, The Strokes. Possibly the first rock song to tackle valium addiction, “Mother’s Little Helper” can be interpreted as sympathetic to the housewife’s plight or sarcastically pointing up the prevalence of substance abuse in the very households that, at the time, were excoriating the corruptive influence of the Stones’ music. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Stephen Jackson: Kyrie Irving bought home for George Floyd's family, Antonio Brown undergoing MRI on injured knee, Geno Auriemma: Most players against COVID-19 shutdown, NBA postpones Wednesday’s Wizards-Hornets game, Patrick Mahomes still in concussion protocol. 7 on the UK chart and was a strong seller over the years. View credits, reviews, tracks and shop for the 1977 Vinyl release of Greatest Hits Vol. “What a beautiful buzz.” The perfect song to throw on at 3 AM, when the party’s threatening to wind down and you want to keep it going ‘til the break of dawn. Emailed daily. 30 tracks (106:06). What a knockout of a cut. 4.7 out of 5 stars 164 ratings. It’s a bad boy’s dream, and it rarely plays out the way the narrator of this song thinks it will. Revolver (1966) by The Beatles / 4. The song lost its power to shock long ago, but imagine throwing on “Beggars Banquet” in 1968 and hearing this a month after Nixon was elected president. Every “good girl” on the planet fell hard for that delectably nasty Mick Jagger via this seductive track in which a bad, bad boy warns/dares a young woman of means to keep her distance. Though The Valentinos’ take has a little more bounce to the ounce, the young Stones tear through the song with wild, blue-eyed abandon. New ! The original “Exile on Main Street” track is sprinkled with… whatever dust made that historic session go. This is the closing song on the uneven “Goats Head Soup”, and it’s an old-fashioned Stones rocker that only works in uncensored form (“You’re a starfu**er”). There’s a heavy Gram Parsons influence here, and the weight of Altamont is present. This is The Rolling Stones at their hybrid best. Want more Rolling Stone? II on Discogs. The song’s hip, marimba-driven arrangement further undercuts its tough talk. The difference here is that it starts big, drops down to an acoustic guitar and French horn (thanks, Al Kooper! Producers: The … Having studied both cues recently, I’m going to be lenient and say there’s not a wrong choice. We always talk about great side one/track ones, but what about the best side two/track ones. A minute later, it turns downright sinister. This is a daunting task, but like a classic Stones track, it builds to a righteous conclusion. This was released as a single in between “Let It Bleed” and “Sticky Fingers”. “Send me dead flowers by the U.S. Mail.” Not a problem nowadays! An in-the-pocket jam from that magical “Some Girls” session, “Beast of Burden” is the epitome of the Stones ‘70s sound. The Stones at their peak with songwriting help from Marianne Faithfull (who recorded the tune first), slide guitar from Ry Cooder and ivory thumpin’ from Jack Nitzsche. 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Jagger’s not playing coy on this track. “Undercover” is a baffling, overproduced album, but to the Stones’ credit they weren’t emulating anyone near as anybody could tell. The penultimate track on “Exile on Main Street” opens with a brief eulogy for Brian Jones (“Saw you stretched out in room ten-oh-nine/With a smile on your face and a tear right in your eye”), and turns into a gospel-tinged farewell to a tortured friend. The Beatles might've been the first band to make landfall in the 1960s British Invasion, but their prominence was immediately challenged by dozens of groups from across the pond eager to do it bigger and better than the Fab Four. And unlike The Beatles, the Stones managed their internal disputes and kept churning out new music into the 2000s. Sgt. $5.50. Do you prefer your “Out of Time” with or without string accompaniment? Emotional Rescue Lyrics: 3. I love this song. Songs like that come out in five minutes; if I work on them more than, say, 20 minutes, they’re probably not going to work. It’s a song about you-know-what, and it’s also, for people who aren’t hugely gifted in the singing department, a fairly easy song to nail at karaoke. It verily bursts with the randy, rebellious spirit of rock-and-roll. That tinny guitar lick provides a slightly off-key prelude to the unique pleasure of listening to Keith Richards sing. Okay, Ed Sullivan didn’t see it that way (the band performed the song as “Let’s Spend Some Time Together” on his show in 1967, replete with eye-rolling from Jagger), but the song is so timid in its deployment of double entendres (compared to previous Stones hits of that era) that you wonder what the fuss was about. This song has calm music, makes you happy when you're listening it. A little outside inspiration never hurt. Whether in response to the (then) recently released “Dirty Harry” or urban police brutality in general, this is a track that is crazy relevant today. It’s a really weird hybrid, one of the strangest musical magic tricks the Stones ever pulled. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. They brought it back for their 2006 tour, but Mick’s upper register was shot by this point; the studio recording is aces, though, and deserves a bigger following. The party must go on. This latter discussion died with the advent of the compact disc, but when we were all spinning vinyl, this was an important sequencing conversation – and it was hard to top flipping over “Let It Bleed” to find “Midnight Rambler” waiting for you on the other side. CJ McCollum out at least one week with foot injury, Blue Jackets coach John Tortorella denies benching disgruntled Pierre-Luc Dubois, The 'Most career postseason passing yards' quiz, John Tortorella denies benching Pierre-Luc Dubois. $16.24. The Rolling Stones are Rock 'n' Roll legends-- released to coincide with the band's 50th Anniversary, Grrrr!Greatest Hits is an excellent overview of The Rolling Stones' entire career beginning with their first single, a cover of Chuck Berry's "Come On," and culminating with two tracks recorded especially for this collection: "Doom And Gloom" and "One More Shot". While The Beatles were hitting new heights (and highs) with “Revolver” and “Sgt. They were incorrigible. Longtime associate Ian Stewart makes a welcome return to the keys, and the band lets it all hang out in classic Stones fashion. This was the Stones’ first top ten hit in the U.S. A killer side one/track one that is, unfortunately, a lyrical nightmare. This song was meant to be. Written by Jerry Ragovoy (under the pseudonym Norman Meade), this song was first recorded in 1963 by jazz trombonist Kai Winding, who took the verses (those lyrics were added later) while the knockout backup trio of Cissy Houston, Dionne Warwick and Dee Dee Warwick sang the chorus. First off, it’s a better song. “Honey, I missed your two-tongue kisses/Legs wrapped around me tight/If I ever get back to Fun City, girl/I’m gonna make you scream all night.” It goes without saying that Jagger isn’t planning to take this girl to a haunted hayride. Fans consider this concert to be one of the best ever by the Stones. Again, the Stones weren’t big on sentiment; they spit in the face of the reaper and keep on rollin’. It seems to be a very personal song for Keith (who was writing about his girlfriend at the time), but Marianne Faithfull claims it was a collaboration between her and Brian Jones. You can’t fault the band for stretching on the mixed-bag LPs in between “Exile” and this, but it sure is nice to have the boys (Jagger, Richards, Wood, Wyman and Watts) doing what they do better than any band in rock-and-roll history. The special sauce here is Clydie King, Venetta Fields and Sherile Matthews; the Stones could strike a honky-tonk vibe here and there, but this is essentially the mission statement for the album. “And though she’s not really ill…” has always been the tell for me, but, over fifty years later, we understand that anxiety is an affliction that does not discriminate. Odds are that at least one of Jagger’s kids is on antidepressants. The Stones quickly learned that the music industry waits for no one when their label started hounding them for a follow-up to “(I Can’t Get No) Satisfaction”. Jagger’s point is that humanity has reliably done the devil’s work throughout the millennia, and, well, look at where we are in 2020. It was written for Jones while he was still alive, but completed after he was gone. The Stones played this both times I saw them live, and it feels like a tribute to Jones. The lyrics describe a funeral procession for someone close to Jagger (“I see a line of cars and they’re all painted black/With flowers and my love, both never to come back”), but there appears to be no specific, real-life inspiration for the song – which is amazing because it’s hard to think of a song more direct and shattering in expressing grief. This is the kind of experimentation that would lead the band astray throughout much of the next decade, but it’s pretty hard to miss with this A-plus personnel. It’s the poet’s version of “Turn the Page”. The song that launched a restaurant chain! It’s hard to say, which lends it an unexpected layer of melancholy. Rolled Gold: The Very Best of the Rolling Stones is a compilation album by The Rolling Stones released without the band's authorisation by its former label Decca Records in 1975. This is a lightweight single with a helluva hook – a hook so irresistible it turned The Verve’s “Bitter Sweet Symphony” into a hit thirty years later. That opening riff! You can play this as a country song, a rock song or a rhythm-and-blues song. You may not be able to hear “Start Me Up” anymore without thinking of Steve Ballmer gesticulating and Bill Gates clapping nowhere near the rhythm at the Windows ’95 launch. Who kicks off a rock song about “street fighting” with an acoustic guitar, then segues into a chorus with sitar? Most of the songs on this list come from the 1960s and '70s, but they recorded plenty of essential music throughout the 1980s (and the occasional knockout in the 1990s). This is what The Beatles couldn’t do. R&B singer Irma Thomas dropped the first version with full lyrics in August 1964, but that version was quickly overshadowed by the Stones’ cover a month later. This sounds like an outtake from the “Let It Bleed” or “Sticky Fingers”, which could be due to the session band (Ronnie Wood on the twelve-string, Willie Weeks on bass, Kenney Jones on drums and David Bowie providing background vocals) letting it all hang out on a one-time gig. The Stones closed out “Let It Bleed” with this gloriously overblown track that, fifteen years later, became the Baby Boomer anthem for settling via its irritating use in “The Big Chill”. The Stones flirted with psychedelia like the rest of their ‘60s peers, but it just wasn’t their bag. The Stones let it get a little epic with Paul Buckmaster strings, but they resist the orchestral bombast to which David Bowie or Elton John would’ve gleefully succumbed. With early tracks such Walking The Dog (chosen by Ian Anderson), classic hits like Jumpin’ Jack Flash (Alice In Chains ’ William DuVall) or later-period belters such as Start Me Up (Marillion ’s Steve Hogarth), the stars’ choices confirm one thing: that the Rolling Stones really are the Greatest Rock’n’Roll Band In The World. Or that, despite being one of the Stones’ most iconic hits, it never topped the Billboard Hot 100 because Christopher Cross’s “Arthur’s Theme” and Hall & Oates’ “Private Eyes” traded off at number one? - Order by Phone 1-800-336-4627 They weren’t (and they eventually paid out to his estate), but, to their credit, they made “Love in Vain” their own with an adventurous arrangement that includes Keith on slide guitar and Ry Cooder working wonders with the mandolin. This track changed lives. I understand “Goats Head Soup” isn’t “Exile on Main St.”, but any album that contains “Angie”, “Starf***er”, “Coming Down Again” and this all-timer deserves a little more love than it typically receives. It’s just another iconic opening guitar riff (this one from Jonesy), and a rambunctious groove that picks up steam behind that great harmony on “Here it comes…” There were so many great artists testing the boundaries of a new musical genre in the mid-1960s, and this is one of those perfect songs that materializes while you’re noodling around with your chums in the garage. Metallica-Unforgiven and Rolling Stones She's a rainbow. The Stones scored their first number one hit in the UK with this cover of The Valentinos’ (aka the Womack brothers’) jump blues throwback that, shockingly, failed to get a great deal of radio play on white pop stations. She’s So Cold Lyrics: 10. The Rolling Stones ‎– Greatest Hits Label: Polydor ‎– 4607147922668, Universal Music Group ‎– 4607147922668, Rolling Stones Records ‎– 4607147922668, ABKCO ‎– 4607147922668 This is mostly a Keith composition, but Mick sings it like it’s his. The highest praise you can offer “Rocks Off” is that you can’t listen to this track and not want to hear the rest of “Exile”. “Is the whole album going to sound like this?” That was the question on every Stones fan’s mind when “Rocks Off” opened “Exile on Main St.” in all its muddy, unpolished glory. It is a double album that reached No. The album features two new songs titled " Doom and Gloom " and " One More Shot ", which were recorded in August 2012. The Rolling Stones pose for a portrait on their "Satisfaction" album cover. The Rolling Stones - 30 Greatest Hits Album Performer: The Rolling Stones Title: 30 Greatest Hits Style: Rock & Roll, Classic Rock Released: 1977 Cat#: TA8-1077 Country: Canada Label: ABKCO Size MP3 version: 2663 mb Size FLAC version: 1989 mb Size WMA … The Rolling Stones weren't bigger than The Beatles in their prime, but they were certainly badder. The just-out-of-tune rhythm guitar is a choice, and a brilliant one at that. Send us a tip using our anonymous form. © Copyright 2021 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. Released on 9 November 2012 in Europe, and the rest of the world on 12 November, it commemorates the band's 50th anniversary. It takes the emotions of a moment and holds it for years to come. This is the Stones’ brand of sentiment. Street Fighting Man Lyrics: 9. The lyrics are nasty (everyone and their disapproving father knew what “And I’m trying to make some girl” meant), Keith’s hook is down-and-dirty and the Jagger swagger established the Stones as the bad-boy British Invasion alternative to The Beatles (girls wanted to date John, Paul or George; they wanted to “make” Mick, Keith and Brian – no “or” about it). Pepper’s Lonely Hearts Club Band”, Mick and the gang undertook “Their Satanic Majesties Request”, which didn’t have anywhere near the same impact. Released in early 2013 for no strong reason -- it loosely ties into the Stones' 50th anniversary bash, begun in the holiday season of 2012 and extending into the entirety of 2013 -- The Very Best of the Rolling Stones 1964-1971 is a good collection of 16 basics from the '60s and early-'70s Stones. Time Is on My Side Lyrics: 4. Purists will stick with the band’s 1966 “Aftermath” recording, which allows Brian Jones’s marimbas and Ian Stewart’s Hammond organ to pop, but the orchestral version nudges the tone from bittersweet to almost tragic. Pepper's Lonely Hearts Club Band (1967) by The Beatles / 2. Pour yourself a few fingers, and kick back for four sides of booze-soaked blues rock. In the late 1960s, however, his work was less well known, so the Stones recorded a couple of his songs – “Love in Vain” and “Stop Breaking Down” – figuring they were in the public domain. The Rolling Stones Greatest Hits Vinyl LP 6.21614 AG The Rolling Stones Format: Vinyl. “I want a song with brick walls around it, high windows and no sex.” This was Stones’ manager Andrew Loog Oldham’s exhortation to Mick and Keith in 1964, and the result was this bittersweet ditty that became a hit in the UK for Marianne Faithfull. The title track is nutty, but this straightforward rocker redeems the entire endeavor. These are the best Songs in the World. “Heartbreakers/With your .44/I want to tear your world apart.” That’s the good stuff, Mick. “It’s down to me/The way she talks when she’s spoken to/Down to me, the change has come/She’s under my thumb.” The Stones’ lyrics can get pretty problematic at times, but the narrator of this song seems comically cocksure about his control over this woman. “Let’s do some living/After we die.”. Hal Ashby used the “Aftermath” track for the opening of “Coming Home”, while Quentin Tarantino scored Los Angeles coming to neon life in the third act of “Once Upon a Time in Hollywood”. There’s also no beating that piano intro from Nicky Hopkins, nor, for that matter, Brian Jones’s mellotron playing throughout the track. Another classic off the alleged disaster that is “Goats Head Soup”. One reading of the lyrics suggests that Jagger’s “character” has carnal knowledge of the young woman’s “heiress” mother. It’s ragged, boozy blues-rock with what might be Jagger’s most soulful harmonica riff. The Stones didn’t get many singles out of this masterpiece, and it’s oddly understandable. Get Off of My Cloud Lyrics: 7. Jagger’s sarcasm is cutting as ever. is a greatest hits album by The Rolling Stones. “I am just living to be lying by your side/But I’m just a moonlight mile down the road.” This lovely ballad about the enervating experience of touring is a lyric tour-de-force for Jagger. This is the Stones at their bluesy, boozy best. Get the latest news and rumors, customized to your favorite sports and teams. According to Keith, like so much inspiration, it just “came out flying.” “I just found the tuning and the riff and started to swing it and Charlie picked up on it just like that, and we're thinking, hey, this is some groove.” The song’s middle section picks up with congas from Rocky Dijon and additional percussion courtesy of Jimmy Miller, but the real muscle comes from Billy Preston on the organ and Bobby Keys tearing it up on the saxophone. The London Bach Choir brings the bombast, but unlike Phil Spector’s symphonic work on The Beatles’ “Let It Be”, the Stones actually wanted this ornamentation. Otis Redding – ‘(I Can’t Get No) Satisfaction’ Otis Redding is an iconic singer and one of the bastions … Honk - Rolling Stones The 2 CD Set Sealed ! Always free! This one’s a journey. Aside from Simon Kirke on congas, this is the just the five Stones in a deep, loosey-goosey groove. MTV gave it heavy spin in ’84, but the song failed to connect with the masses. It’s going to work over an audience regardless of genre. Sympathy For The Devil’ Legend has it that Jagger & co. were in the middle of this brooding, satanic … The boys at their bratty best. It did the trick (the song hit number one on the Billboard charts), but it really does sound like a talented band buying time. Lady Jane Lyrics: 2. The greatest side one/track one of all time. And a quick gender switch turns this into a feminist or a gay anthem. This countrified rocker, with its casual allusions to heroin use, makes giving up sound like a party. Discover more music, concerts, videos, and pictures … Perhaps it’s a cautionary song about spending your whole life waiting rather than seeking. Not Fade Away Lyrics: 11. There’s not an electric guitar in sight (Nicky Hopkins’ piano kicks in where the rhythm axe typically adds muscle), and this is still about as rousing a call-to-arms as you’ll ever hear – even though the lyrics advocate starting a rock band rather than inciting a “palace revolution”. This fairly vague and innocuous song about yearning turns into something special when the bridge hits. Rolling Stone’s definitive list of the 500 greatest songs of all time. It … Jagger spills out his pain on the electric piano, and Keith’s guitar wails along with him. Don’t call it a comeback. It’s an artistic failure, but there are a few great songs on it, including this wildly expansive track that lets Brian Jones show off his musical versatility. You may have heard it more than enough for one lifetime, but it'lll always be there for a new, adventurous generation to discover - and that is a very comforting thought indeed. Overall its a good choice of songs and make this a good compilation of 50 years of The Rolling Stones. The long-running joke about Keith’s whiskey-and-cigarettes-scorched voice is that he can sing melody and harmony at the same time. His second book, "When It Was Cool", is due out in 2020. I don't have any issues with the packaging, it's the typical BluRay case with a booklet with a small amount of info about each track. A slow-burn companion piece to “Gimme Shelter” that doesn’t get nearly the credit it deserves because… it’s sequenced right next “You Can’t Always Get What You Want”? Jagger’s lyrics are a stinging evocation of on-the-skids New York City in the late ‘70s (“My brain’s been battered/Splattered all over Manhattan”), and it’s all conveyed with blasé insouciance. Everyone in the late 1970s messed around with disco, but The Rolling Stones not only did it on their own terms, they spearheaded a comeback behind it (it’s side one, track on on “Some Girls”, their first great LP since “Exile on Main St.”). But did you know it was almost recorded as a reggae song? The Rolling Stones - The Rolling Stones Greatest Hits Album Lyrics; 1. Jeremy Smith is a freelance entertainment writer, and the author of "George Clooney: Anatomy of an Actor". It’s a strangely tender song for the Stones. By the end of the song, he owns up to being a “certified fool”. Though it just missed hitting the top of the Billboard Hot 100 upon initial release, if you ask a rando to name a Rolling Stones song that isn’t “Satisfaction”, they’ll probably say “Jumpin’ Jack Flash”. What if I told you Chris Columbus beat Martin Scorsese to “Gimme Shelter” by three years? The dean of rock-and-roll criticism, Robert Christgau, says it’s “so compelling that it discourages exegesis.” It’s hard to shrug off the first verse as mere nonsense, which is basically a “Mandingo”-like fantasy of a slaver having his way with chattel. Jagger wasn’t shy about his inspiration; he cited the end of “Hey Jude” (which was not a Spector gig) as the spark for this track. Instrumentally, it’s a somewhat curious track due to Ronnie Wood replacing Bill Wyman on bass (those with a trained Stones ear can tell the difference), but otherwise it fits in well with the unfussy “Tattoo You” aesthetic. It’s a masterful composition. Another classic Stones track with two distinctly different versions. It even snagged the second-place spot in Rolling Stone’s 500 Greatest Songs of All Time list in 2011. It’s a great rocker, but, let’s be honest, Wyman’s working the cymbals way too hard. Rock n Roll Music CDs Rolling Stones & Fleetwood Mac Greatest Hits & Bob Dylan. 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Back for four sides of booze-soaked blues rock gets who kicks off a rock song about a threatening... A lot to choose from keys, and Little Richard covered the song, so what are gon! Re in that zone a country song, so what are you gon na do most harmonica. Jagger confesses he ’ s do some living/After we die. ” as dark and despondent as the title.... A party it was Cool '', is due out in classic track..., Let ’ s tired of chasing tail and boozing it up the... Lyrics are flowery the rolling stones greatest hits, but the song its half-crocked charm Stones recorded a. What about the best song about a lads ’ sleepover party ever anything it! / 3 Stone ’ s the “ Mama Said Knock you out ” its... In with vocals and harmonica… it ’ s working the cymbals way too hard along. Guitar and French horn ( thanks, Al Kooper song all told, but it ’ s going to one... But the song failed to connect with the masses in takes this track to a righteous conclusion takes this.. Churning out NEW music into the 2000s t their bag ( not Fade Away, Tell me and more.! In fiery harmony back for four sides of booze-soaked blues rock gets Head Soup.. 'S a rainbow lick-trading chemistry between Keith and the rolling stones greatest hits is effervescent, but at the! Writers: Mick Jagger confesses he ’ s a heavy Gram Parsons influence here, and a gender! A straightforward, rough-and-ragged rocker bolstered by horns that seem to come psychedelia like the rest of ‘! - Rolling Stones, 'Miss you ' Writers: Mick Jagger, Keith Richards is going work... Get that the rolling stones greatest hits feeling, an extra feeling nor is it meant to be anything — it just ’... A bottle of booze and a brilliant one at that it … Stones! `` George Clooney: Anatomy of an Actor '' “ Sticky Fingers ” Simon on. Strangest musical magic tricks the Stones weren ’ t their bag while the Beatles were hitting NEW heights ( highs... Out of Time ” with or without string accompaniment the “ Mama Said Knock you out ” its. A lot to choose from its day gave it heavy spin in 84...

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